I owe many thanks to the team from The Organic Agency, who e-mailed me a few weeks ago to alert me, as a blogger, of the imminent arrival of a brand-new magazine to the UK market:
This month, woodworkers from around the globe are participating in the now-annual 2×4 Challenge, as organised by Brian Gidney at Summers Woodworking. You’ve probably heard of this or something similar; the brief is to make something using one single length of 4x2in softwood, 8ft long. Entries are beginning to filter through, with the deadline now only a fortnight away. While I’m unable to participate myself this year, I would like to instead share the following video:
Before going too far, the woman’s name is Linn and not Darbin, which is actually the name of her dog and also her business. Her channel is one I’ve only very recently begun to follow after YouTube recommended it to me under their What to Watch page. I’d like to help to raise awareness of her channel because even though some of her videos are less-wood related, it’s distinct that she holds a great skill within the world of working with wood.
If I filter through the seemingly-endless list of channels I’m subscribed to, there are very few of whom I would declare ‘professional’ woodworkers. Please don’t get me wrong. There are some incredibly talented people out there, sharing their content without an asking price. Beside the obvious ones, there just doesn’t seem to be as many professionals sharing their wares and I look forward to seeing Linn’s channel develop.
At some point, I’ll expect you’ll also be able to visit Brian’s website and see a complete list of all video entries to the 2×4 contest. Best of luck to everyone who is taking part and thanks for reading!
You can also find
Darbin’s Linn’s blog by clicking here.
I wasn’t intending to have anything other than a lie-in on Saturday morning but when someone was willing to pay for and collect my lathe at 9am, I knew I had to be there on-time. Early, in fact!
It happened so fast that I didn’t even take the time to capture a final photo (with the disc sander removed from the equation). So, you’ll have to accept the current setup as above; with a pair of sawhorses providing a place of rest for the old Hegner.
It’s hard to find the time to write regularly here at the moment. I have a couple of detailed posts I plan to write soon but those are the ones I mostly seem to aim for. For quick updates on more of a typical ‘blogging’ scale, I tend to use either Keek or my Facebook page. But I suspect that not everyone subscribes or visits there; not everyone has Facebook or ‘does’ social networking. So, I’d like to try and update you all with a few snippets of all the little things I’m working on at the moment.
This post is going to be a brief recap of the few items I purchased at the Yandles show yesterday afternoon. I have driven all the way down there, looked around and then come home again without spending a penny in the past… That’s not easy to do! But then, I’m not one for splurging a small fortunate in a moment of madness (unless I’m sat infront of my laptop, perhaps…).
Just a brief note, this one, to say that the ‘Inspired‘ exhibition at the Ashton Court Estate (Bristol) opens this morning. Hours are 10.00-16.30 daily, with the show closing next Sunday afternoon (25th).
All are welcome and, if you’re in the area at all over the next eight-days, it’s definitely worth a look. Not only for that, but also, the grounds and mansion itself are worth a look, if you haven’t visited before.
Just follow the signs in to the Visitor Centre and the exhibition space is upstairs in the Hayloft Gallery. Along with all the fine furniture, there is some art and carved/sculpture work.
Unfortunately, I don’t have any photographs for you at the minute as the layout was still being organised when I dropped my two pieces off yesterday morning. I should be there Thursday and Friday though and I’ll update this thread/add a new post as necessary.
(I’m quietly confident that I may find a buyer for my arm chair and side table… Watch this space! ;-))
Thanks for reading.